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Crafting Professional Identities: Craftswomen in Victorian Britain – GI 24 087 (Face to Face)

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27 January 2025 @ 10:00 am - 1:00 pm GMT

Tutor: Dr Lucy Ella Rose

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Details

Date: 27 January 2025
Time:
10:00 am - 1:00 pm
Length of Course:
2 Mondays
Reference Code:
GI 24 087
Location:
Ward Street
Guildford, Surrey GU1 4LH

Overview

This workshop focuses on pioneering professional craftswomen in Victorian Britain, analysing their wide-ranging works: sculpture, pottery, enamel jewellery, stained glass and textiles. It offers a broader understanding of the Arts and Crafts movement by highlighting women’s central contributions to it. Revealing a creative sisterhood, we will explore the works and networks of Phoebe Anna Traquair, Ernestine Mills, May Morris and Mary Watts, as well as lesser-known figures Pamela Colman Smith, Mary Wheelhouse and Ellen Mary Rope.

Tags

Phoebe Anna Traquair, Sanctuary Pendant, c. 1902, silver, enamel and pearl, Aberdeen Art Gallery. Image: Wikimedia Commons.

This date isn’t the first in the event series. For more information on ticket availability, please get in touch.

01483 562142

Office hours are Monday to Friday 9.30am to 5.00pm

About the Speaker

Dr Lucy Ella Rose

Lucy Ella completed her PhD at the University of Surrey in 2015, before joining the School of Literature and Languages as Teaching Fellow in 2016 and Lecturer in Victorian Literature in 2017. Her doctoral studentship, awarded by the University of Surrey and Watts Gallery (Surrey) in their first collaboration, supported her research on women in nineteenth-century creative partnerships. These included Christina and Dante Gabriel Rossetti, Mary and George Frederic Watts, and Evelyn and William De Morgan. Lucy Ella has worked extensively on the Mary Watts archive at Watts Gallery and assisted the transcription of her diaries for publication.

Lucy Ella specialises in Victorian literature, art, culture and feminism (their connections and intersections), with an interest in late-Victorian creative partnerships, focusing on neglected female figures. Her publications include a monograph, Suffragist Artists in Partnership: Gender, Word and Image (Edinburgh University Press, 2017), and book chapters and articles on Victorian women's life writing, visual culture, artistic marriages, creative circles and early feminist networks.

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