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The Art of Weimar: Berlin in the 1920s – GI 24 086 (Face to Face) (Online)

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25 March 2025 @ 1:30 pm - 4:00 pm GMT

Tutor: Ronnie Ireland D.A. (Drawing and Painting; Glasgow School of Art) B.A. (Hons) Open University

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Details

Date: 25 March 2025
Time:
1:30 pm - 4:00 pm
Cost:
£18.75 – £21.25
Reference Code:
GI 24 086
Location:
Ward Street
Guildford, Surrey GU1 4LH

Overview

In the aftermath of The Great War, Germany entered a period of extremes – socially, politically, and artistically. We’ll trace how the art interacted with the social and political currents. Willkommen, Bienvenue, Welcome!

Tags

Käthe Kollwitz, "The Mothers", woodcut facsimile, Metropolitan Museum of Art Collection. Image source: Wikimedia Commons.

Tickets

The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.
The Art of Weimar: Berlin in the 1920s - GI 24 086 (Face to Face) - Non-member
Face to Face
£ 21.25
3 available
The Art of Weimar: Berlin in the 1920s - GI 24 086 (Face to Face) - Member
Face to Face
£ 18.75
3 available
The Art of Weimar: Berlin in the 1920s - GI 24 086 (Online) - Non-member
Online
£ 21.25
17 available
The Art of Weimar: Berlin in the 1920s - GI 24 086 (Online) - Member
Online
£ 18.75
16 available

01483 562142

Office hours are Monday to Friday 9.30am to 5.00pm

About the Speaker

Ronnie Ireland

www.ronnieirelandart.com

ronnieireland2@gmail.com

Ronnie’s life has always revolved around art and music. He has drawn and painted all his life and made music (mainly singing; from opera through to rock and jazz) during much of it.

He was born and educated in Glasgow, then moved to Edinburgh where he taught art and ran a company, organising and playing music. Ronnie moved to the south of England in 2011, realising he needed a fresh start and new challenges in a new place.

The regular art classes which Ronnie now runs are very important to him. They aim to encourage artists to develop their own ideas and voice, and he finds it exciting and gratifying working with the artists as they progress. He feels it is the most difficult, but also the most rewarding part of art. Ronnie also gives regular talks, demonstrations and workshops on many aspects of art and creativity to art societies, educational institutions and the corporate world.

His own art centres around the idea of identity and how it manifests in many different ways from the theatrical to the everyday.    

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