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Pre-Raphaelite Women Poets and Painters – GI 25 051

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14 July 2025 @ 10:00 am - 1:00 pm BST

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Tutor: Dr Lucy Ella Rose

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Details

Date: 14 July 2025
Time:
10:00 am - 1:00 pm
Length of Course:
2 Mondays
Reference Code:
GI 25 051
Cost:
£46.00 – £52.00
Location:
Ward Street
Guildford, Surrey GU1 4LH

Overview

This course explores the writings, artworks and connections of three Pre-Raphaelite women: Christina Rossetti, Elizabeth Siddal and Evelyn De Morgan. Read their poems and paintings alongside each other to discover more about these long-overshadowed women and their places in Victorian-Edwardian England. 

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Other events in the series

Pre-Raphaelite Women Poets and Painters – GI 25 051

Monday 14th July @ 10:00am

Pre-Raphaelite Women Poets and Painters – GI 25 051

Monday 21st July @ 10:00am

Elizabeth Siddall, The Lady of Shalott, 1853. Image: Wikimedia Commons.

Tickets

The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.
Pre-Raphaelite Women Poets and Painters - GI 25 051 - Non-member
£ 52.00
27 available
Pre-Raphaelite Women Poets and Painters - GI 25 051 - Member
£ 46.00
27 available

01483 562142

Office hours are Monday to Friday 9.30am to 5.00pm

About the Speaker

Dr Lucy Ella Rose

Lucy Ella completed her PhD at the University of Surrey in 2015, before joining the School of Literature and Languages as Teaching Fellow in 2016 and Lecturer in Victorian Literature in 2017. Her doctoral studentship, awarded by the University of Surrey and Watts Gallery (Surrey) in their first collaboration, supported her research on women in nineteenth-century creative partnerships. These included Christina and Dante Gabriel Rossetti, Mary and George Frederic Watts, and Evelyn and William De Morgan. Lucy Ella has worked extensively on the Mary Watts archive at Watts Gallery and assisted the transcription of her diaries for publication.

Lucy Ella specialises in Victorian literature, art, culture and feminism (their connections and intersections), with an interest in late-Victorian creative partnerships, focusing on neglected female figures. Her publications include a monograph, Suffragist Artists in Partnership: Gender, Word and Image (Edinburgh University Press, 2017), and book chapters and articles on Victorian women's life writing, visual culture, artistic marriages, creative circles and early feminist networks.

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